Putting the chic in anarchic, donotrunwithpixels returns with a double mixtape, one side of four-to-the-floor EDM, and another mashing previous releases with new drum’n’bass grooves. Staying true to his chip-purist ethos the sets feature only the sound of LSDJ on original Nintendo Game Boys. The last two years have seen these sets performed across south Wales and are now available on cassette or via download. Contains twice the adult recommended daily allowance of nihilism. Check with your GP before listening to Super 32 in 1 if you are pregnant or taking other medication.
Today we are extremely pleased to be announcing a new artist – Glasgow’s Something in a Tank, and their double EP release.
Something In A Tank is the ‘half-arsed solo project’ of Michael Drum, formerly of Glasgow’s infamous We Are The Physics. It’s on the noisey, dirty end of ‘artrock’, and all produced by one solitary human.
From the horse’s mouth:
In an attempt to do something other than badly play the drums, Michael started fannying about in December 2016 and has released two EPs to date, one of which is an absolute shiter. The other just sucks.
The last EP is a mixture of aggressive guitars (played badly), over-compressed drums and vocals that could be described as ‘just shouting’. For fans of Retox, Hot Nerds, Ima Robot, Faith No More and DMX.
This release itself brings together two separate EPs: ‘Sink or Swim’, and ‘Never Quite the Desired Effect’. As a bonus, there are also two extra tracks included that were up til now unreleased. Grab your copy on the shop here.
Today we announce the latest Cow Tongue Taco release: ‘liberal exodus’ from Glaswegian chip-botherer unexpected bowtie.
The 10 track LP is unexpected bowtie’s sixth full-length album, and the blend of Game Boy and traditional electronica is a more mature follow on from 2016’s TOKYO.
Out on both digital and cassette, the tape portion of this release is extremely limited edition – with only five available – and costs only £2.50 more than the download, so well worth grabbing one.
You can have a listen to liberal exodus over on our Bandcamp, and get your copy of the tape in our online shop. Streaming via Spotify to follow very shortly.
We are back from our holiday and pleased to welcome a new artist into the fold: fellow Glaswegian Dewaud, who releases their new album ‘Zenith’ on Cow Tongue Taco today.
Zenith is the new hour long release from Glasgow’s Dewaud. An eclectic mix of hip hop, electronic, dance and moody weirdness, that will appeal to lovers of Flying Lotus, Hudson Mohawke, Daft Punk & Dilla.
We sat ol’ Dewaud down to see what he was all about:
Cow Tongue Taco: So eh, who are you? How long have you been doing this?
D: I am Dewaud, a producer from Glasgow and I’ve making beats for as long as my family home had a computer. I have a distinct memory of watching the last series of Friends as it aired and running back to the computer during advert breaks to make beats, which was in 2004, so 13 years, nearly half my life. I had a demo version of FruityLoops that didn’t let you save projects so I would make full beats and save them as mp3s in one sitting, and if there was something I wanted to change I would make the full beat from start again. And my parents and brothers all shared the computer so I had maybe an hour a night. Also Friends ended ages ago eh?
CTT: I never was a fan of Friends. How would you describe this latest album? It’s a beast.
D: This release (Zenith) is unquestionably the most ambitious project I’ve undertaken, just for the sheer run time. Something that you might find interesting is that all the samples on Side B (track 18 onwards) are from the same batch of records I bought on one day of digging, I think maybe 11-12 records from the 27th of December 2016. I think it’s an interesting and eclectic listen, and it’s probably better referred to as electronic music but in my heart I’m always just making hip hop beats for rappers to rap on. I was listening to a lot of Flying Lotus when I was making Side B so that might shine through. I tried to keep Side A sort of bright and almost poppy with Side B being more ethereal and spacey and skew more toward jazz. It feels very personal to me, there are a lot of styles and nods to that which inspires me, it’s a collage of all the stuff that makes me, me. Honestly it’s brilliant, I’m very talented.
CTT: Awright then Trump. Where else can we find more of yer stuff?
D: You can stream all of my releases at https://dewaud.bandcamp.com/music and even buy then if you like! If the mood strikes you could also follow me on twitter @dave_eh_rave but I hardly talk about music, it’s mostly wrestling patter and stealing other people’s jokes in attempts to go viral. If that’s what you’re into then please wire in! I don’t have much web presence apart from that, I should probably look into self promoting a bit more.
Today we are pleased to announce another brand new release, from a brand new Cow Tongue Taco artist: Son of a Bit!
Chorophobia is an energetic blast of hardcore chipmusic, and we’re really pleased to have them join the Cow Tongue family.
CTT: Tell us a bit about yourself! Who are you, and where do you come from?
SoaB: I’m Sanditio Bayu Estuputro, a freelance illustrator / comic artist based in Jakarta, Indonesia. I really love making many things I love (such as chip-music, drawings, comics, pixel-arts, etc)! Oh, and I also had another chip-music cover project called “Little-Sound Orchestra” (http://facebook.com/littlesoundorchestra), maybe you can check that out if you have more time.
CTT: How did you get into making chip music?
SoaB: When I was in high school (late 2007/2008), my older brother introduced YMCK (Japanese chiptune group) to me. I was instantly hooked and kept some of the songs in my mp3 player. I really excited about this group and tried to introduce YMCK’s “Magical 8-bit Tour” to one of my best classmate, Pajar Prasetyo and he really liked it! Inspired by that, Pajar suggested that I create a chiptune project with his friend Fajar Sidik. One of his reasons to make this project is, in Indonesia, there wasn’t that many chip-tune projects around, and chip-music sounds really unique! From there, we learned how to make Chip-music together from some tutorials on Youtube… and that was the time when “Majemuk” born, a chiptune / hip-hop group which I run with them. We were also invited to several events such as Chipmovement vol.1 in Depok (a city close to Jakarta), Jakarta Toys Fair 2009, and many others. But, in April 4th 2009, I decided to resign from Majemuk (due to a personal reason) and create a chiptune project inspired by heavy music called “Son of a Bit!”.
CTT: Your style is pretty unique; a sort of cross between metal and chiptune. How would you describe it?
SoaB: Some people call it “Nintendocore”, but I’m trying to avoid this term right now for a personal reason. Maybe i would just call it Heavy-Chip Music or just Chip-music, because I focus more on 8-bit sounds than other instruments. Yes, I add some other instruments in my music (such as Electric guitar) but it’s only a few and nothing more than 2 instruments. Most of my music is inspired by metal music in games such as Guilty Gear & BlazBlue series (Hell yes, Daisuke Ishiwatari is my number one inspiration for this project!) and some other great chip-music artists like Virt, Zabutom and Shitbird.
CTT: Tell us a bit about the album… and how it was put together.
SoaB: This album was supposed to be released 6 years ago (2011). But at that time I was focusing on another project so the release of this EP was abandoned. After checking back the old files on my hard disk, I finally remembered that this album existed! So I decided to release it in this year. This album focuses on songs that have vocals, so I add every vocal tracks that Son of a Bit! had. Some songs in this album is already in my 2nd album “re.demon.stration EP” and I remastered them for this new album (but too bad, that EP link download has already expired). I also added one more track “DEMITUHAN” for the cassette tape version.
SoaB: The name “Chorophobia” itself is an expression of my anxiousness against many other dance music inspired chip-music in my country. The fact that in Indonesia, there’s more or less 75% of chip-music artists here focused on this dance music thing. Maybe most of chip-music artsits here are dance music fans and that’s why there are so many of them. Well, I don’t mean to hate and blame them since there’s no prohibition to make any music with this medium (and most of them are my bestfriends!) but I just want to show to other people (mostly to non-dance music fans) that you can make any music with chiptune and that’s why chiptune is a great alternative medium to start with! Hope you like the new album ❤ \m/
‘Ending Definite Failure’ is over 90 minutes of modular electronic music, with additional bonus tracks exclusive to this release.
Today we have another new release to announce: ‘crow road’ from experimental noise duo cuhto and kupo, who we introduced previously here.
The split EP is comprised of two twenty minute long tracks, both of which are created from a single, four bar piano loop.
As well as the digital download (available for just £1 here), we have a limited run of 10 cassette tapes, with art-work hand painted by the artist.
You can grab a copy for a fiver from the Cow Tongue Taco shop here.
In additional news, we have updated the awesome Magnificent Bastard release, which is now a bumper double EP: Play Some Rap Music / Under Blue Moon. It also comes with an additional remix by unexpected bowtie.
You can grab a copy of that from the shop here. It’s great, so you definitely should while you can.