New Release: Something in a Tank – Double EP

Today we are extremely pleased to be announcing a new artist – Glasgow’s Something in a Tank, and their double EP release.

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Something In A Tank is the ‘half-arsed solo project’ of Michael Drum, formerly of Glasgow’s infamous We Are The Physics. It’s on the noisey, dirty end of ‘artrock’, and all produced by one solitary human.

From the horse’s mouth:

In an attempt to do something other than badly play the drums, Michael started fannying about in December 2016 and has released two EPs to date, one of which is an absolute shiter. The other just sucks.

The last EP is a mixture of aggressive guitars (played badly), over-compressed drums and vocals that could be described as ‘just shouting’. For fans of Retox, Hot Nerds, Ima Robot, Faith No More and DMX.

This release itself brings together two separate EPs: ‘Sink or Swim’, and ‘Never Quite the Desired Effect’. As a bonus, there are also two extra tracks included that were up til now unreleased. Grab your copy on the shop here.

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For more music, check out somethinginatank.bandcamp.com for full releases, and soundcloud.com/somethinginatank for demos and things of that ilk.

New Release: Dewaud – Zenith

We are back from our holiday and pleased to welcome a new artist into the fold: fellow Glaswegian Dewaud, who releases their new album ‘Zenith’ on Cow Tongue Taco today.

Zenith is the new hour long release from Glasgow’s Dewaud. An eclectic mix of hip hop, electronic, dance and moody weirdness, that will appeal to lovers of Flying Lotus, Hudson Mohawke, Daft Punk & Dilla.

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There are a limited number of hand-painted cassette tapes up for sale in our shop, and you can download the full album for free over on our Bandcamp.

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We sat ol’ Dewaud down to see what he was all about:

Cow Tongue Taco: So eh, who are you? How long have you been doing this?

D: I am Dewaud, a producer from Glasgow and I’ve making beats for as long as my family home had a computer. I have a distinct memory of watching the last series of Friends as it aired and running back to the computer during advert breaks to make beats, which was in 2004, so 13 years, nearly half my life. I had a demo version of FruityLoops that didn’t let you save projects so I would make full beats and save them as mp3s in one sitting, and if there was something I wanted to change I would make the full beat from start again.  And my parents and brothers all shared the computer so I had maybe an hour a night. Also Friends ended ages ago eh?

CTT: I never was a fan of Friends. How would you describe this latest album? It’s a beast.

D: This release (Zenith) is unquestionably the most ambitious project I’ve undertaken, just for the sheer run time. Something that you might find interesting is that all the samples on Side B (track 18 onwards) are from the same batch of records I bought on one day of digging, I think maybe 11-12 records from the 27th of December 2016. I think it’s an interesting and eclectic listen, and it’s probably better referred to as electronic music but in my heart I’m always just making hip hop beats for rappers to rap on. I was listening to a lot of Flying Lotus when I was making Side B so that might shine through. I tried to keep Side A sort of bright and almost poppy with Side B being more ethereal and spacey and skew more toward jazz. It feels very personal to me, there are a lot of styles and nods to that which inspires me, it’s a collage of all the stuff that makes me, me. Honestly it’s brilliant, I’m very talented.

CTT: Awright then Trump. Where else can we find more of yer stuff?

D: You can stream all of my releases at https://dewaud.bandcamp.com/music and even buy then if you like! If the mood strikes you could also follow me on twitter @dave_eh_rave but I hardly talk about music, it’s mostly wrestling patter and stealing other people’s jokes in attempts to go viral. If that’s what you’re into then please wire in! I don’t have much web presence apart from that, I should probably look into self promoting a bit more.

New Release: Renku Corporation – Ending Definite Failure

We are pleased to announce a new release, this time from America’s Renku Corporation, who we featured back in April.

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‘Ending Definite Failure’ is over 90 minutes of modular electronic music, with additional bonus tracks exclusive to this release.

You can grab a copy of the limited edition tapes over on the Cow Tongue Taco shop, or from our Bandcamp page.

New Release: Cup Fungus – Vaguely Nefarious

Today we are excited to announce another tape release, this time from electronica artist Cup Fungus.

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‘Vaguely Nefarious’ is the artist’s second album, continuing on with their ‘bonkers and disturbing’ theme… with powerful synth-soaked electronica. This is an exploration through dark dreams and sinister places.

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The album is available to buy on limited edition cassette tape now from our online shop, or through our Bandcamp page. Only fifteen copies have been made, and the price includes a digital download, with four bonus, download only ‘b-side’ tracks.

You can also stream the album via Spotify right now, if that’s your thing.

New release – unexpected bowtie: TOKYO

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Today we have another release to add to our roster, with TOKYO from unexpected bowtie.

Written while on long international plane and train journeys, this is music inspired by the lights and movement of globe-trotting; a lingering salute to the people that make up some of the greatest cities in the world.

This album was primarily written on a DMG-01 Game Boy, with a bunch of extra synthy goodness and guitars thrown in for good measure.

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You can get the digital download for £3 on our Bandcamp page, or one of only fifteen limited edition, hand-painted cassette tapes for £5 from our shop.

New Release: Closet Organ 5318008

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Today, Glaswegian noisemongers Closet Organ release their debut album on Cow Tongue Taco Records – entitled 5318008 as the result of a Kickstarter gamble gone terribly wrong.

CLICK HERE TO ORDER NOW.

The album includes the single ‘Make America Great Again‘, which caused some consternation upon release when Trump supporters didn’t quite get the joke.

5318008 is available digitally, as well as on cassette tape, and eventually on vinyl LP. We have the tapes up in the store right now, which cost £12.50 for both the tape and immediate digital download.

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Tapes are back

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The other day when I was posting out some cassettes, the woman in the post office, off-the-cuff, said:

Oh aye, tapes are meant to be coming back into fashion.

Is that right?

Today a link has been going around about what is apparently the last remaining cassette duplication/production factory in the US, and it’s worth a watch. Only 3 minutes long, and pretty beautifully shot:

“There is no question that tapes are coming back.”

Turns out Rolling Stone penned an article on the topic at the end of last month.

A good time to get into the tape label business then, and a better time to check out what releases we have up for sale in the shop.